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The Balrog – Flame of Udun Sideshow Collectibles Statue
Memorable Music Moments in Movies
All films, even relatively bad ones, have moments that capture the audience’s attention, but it’s often the supporting music that separates great scenes from the truly unforgettable. And then there is the music that becomes even more recognizable than the scene – or film – itself.
With music that is not composed specifically with the film in mind, the director has an advantage in enhancing a scene because the track can be selected, purchased, and strategically placed. That’s certainly not a bad thing, but not the same as composers orchestrating that perfect combination of notes specifically for an unforgettable moment. Musicals, too, have a different kind of advantage, so for this list we’ll focus on only single tracks from original scores that enhance great film moments. At the bottom I’ll list some memorable pre-recorded, or covered instrumental music used in film (partly to erase thoughts that the music was actually recorded with the film in mind).
Also, there are many great original scores from start to finish that may not be on this list, because no track elevated itself to a much broader audience the way the ones below do. Many of these can be found on Gunaxin’s Best Original Film Scores Ever article, with some overlap. Gladiator is my all-time favorite, and loved by many, but most of Hans Zimmer’s tracks aren’t exactly recognizable by most people when heard out of context of the film. Now onto the list:
Back to the Future
Back to the Future (Alan Silvestri, 1985)
This brilliant theme sounds like something John Williams would have composed, but fortunately Spielberg and Robert Zemeckis went with Silvestri, who made perhaps the best score of his life. Buy from Amazon
Axel F
Beverly Hills Cop (Harold Faltermeyer, 1984)
Faltermeyer was a two-trick pony in the 80s. He’s best known for this track (Eddie Murphy’s personal theme music), and the Top Gun Anthem. These two tracks were so good we thought we had another legendary composer in the making. Unfortunately, more than two decades later, he’s still best known for these two. They’re great, though. Buy from Amazon
Instrumentals of “As Time Goes By”
Casablanca (Max Steiner, 1942)
Since 1999, “As Time Goes By” has been used as the opening theme for Warner Bros. films. The first film to adopt this new theme was Lethal Weapon 4. A truncated version of the theme debuted in 2003 as the closing logo for Warner Bros. Television.
Chariots of Fire (aka Titles)
Chariots of Fire (Vangelis, 1981)
Vangelis’s Chariots of Fire is the soundtrack to every slow-motion burst of triumph. The odd thing about it was it used that typical 80’s synthesizer sound for a film based in the 20s. This music, I believe, became more famous than the film itself. Buy from Amazon
The Appearance of the Visitors
Close Encounters of the Third Kind (John Williams, 1977)
Here’s a Williams score that, to me, doesn’t rise anywhere near his best, but the music played when the aliens and humans communicate didn’t need to be overly complex to make its point or ingrain itself in our heads. In fact, this is perhaps the only track on this list that the music is vital to the story.
Somewhere in this track is an interpolation of “When You Wish Upon A Star” which wasn’t written by Williams and is best known from Walt Disney’s Pinocchio. Buy from Amazon
Escape/Chase/Saying Goodbye
E.T. ( John Williams, 1982)
Elliot and E.T. go cruising past the moon. Truly one of the most magical movie moments ever. Buy from Amazon
Charging Fort Wagner
Glory (James Horner and the Boys Choir of Harlem, 1989)
Certainly some of the best original score battle music ever composed. Buy from Amazon
Il Buono, Il Cattivo, Il Brutto (The Good, The Bad And The Ugly) (Main Title)
The Good, The Bad and the Ugly (Ennio Morricone, 1966)
Duels are so cool. We need to start having those again. Buy from Amazon
L’Estasi Dell’oro (The Ecstasy Of Gold)
Before I even saw the film, I fell in love with this track when I heard it played as a prelude at a Metallica concert.
“The Raiders March” (a.k.a. “Indiana Jones Theme”)
Indiana Jones: Raiders of the Lost Ark (John Williams, 1981)
Personally, I prefer the The Temple Of Doom – Parade Of The Slave Children but the main theme is iconic, even in sequels where Indy survives a nuclear blast in a fridge and later encounters aliens. Buy from Amazon
James Bond Theme
Dr. No, (Monty Norman, 1962)
For those of you who didn’t know, there is a feud between John Barry and Monty Norman over who wrote this, and the courts credit Norman, who has been collecting royalties on it since 1962. Buy from Amazon
Jaws – Theme
Jaws (John Williams, 1975)
Though it won the Oscar, the Jaws score as a whole is only really enjoyable while watching the film (as opposed to playing it on the stereo). But Williams’ two-note shark attack theme has embedded itself into pop culture and won’t soon be forgotten. It’s Williams and Spielberg’s answer to Herrmann and Hitchcock’s murder music in Psycho. Buy from Amazon
Theme from Jurassic Park
Jurassic Park (John Williams, 1993)
I hear ya saying, “So what I’m learning from this article is that John Williams makes good music. DUHHH!” Well, yeah, he’s got a knack for that just as Spielberg’s got a knack for making HIGH GROSSING FILMS THAT EVERYONE SEES AND RECOGNIZES AND ENJOYS. Buy from Amazon
The Kiss
Last of the Mohicans (Trevor Jones, 1992)
I might think this is more well-known than it actually is, but the score is loved and this tune stands above them all. It strikes anyone who hears it. I bet that babies have been conceived with track No. 3 of this soundtrack blaring on the stereo. Buy from Amazon
The White Tree (aka Lighting of the Beacons)
Lord of the Rings: Return of the King (Howard Shore, 2003)
There is no shortage of superb tracks throughout The Lord of the Rings films, but the most exemplifying is called “The White Tree” on the original score, and “Lighting of the Beacons” on the the complete recordings. Actually, you need to fast-forward on each of those tracks to get to the part where the camera swoops across Middle Earth, from Gonder to Rohan, as Shore’s Middle Earth anthem delights classical music lovers, even those who find J.R.R. Tolkien’s stories to be nonsense.
- The White Tree (Original Score) begins around 1:50 into the track
- Lighting of the Beacons (Complete Recordings) begins around 3:50 into the track
Or, you can watch it here in HD, with the symphony orchestra playing:
Midnight Cowboy
Midnight Cowboy (John Barry, 1969)
The anthem for all male cowboy prostitutes in New York. Buy from Amazon
Promise
The Piano (Michael Nyman, 1993)
I actually became familiar with this track on the Pure Moods CD and realized later that it was from The Piano. Good stuff. Too bad the movie was such fluff. Buy from Amazon
Murder
Psycho (Bernard Herrmann, 1960)
Perhaps the biggest no-brainer on the list. The rest of the score is good, too. But I’d say of all the music on this list, this track is perhaps the most important for the enhancement of its scene than any other. Buy from Amazon
Pink Panther
Pink Panther, (Henry Mancini 1963)
I’d be willing to bet that more people know this music than have seen the original film. Buy from Amazon
Requiem for a Dream (Main Theme)
Requiem for a Dream (Clint Mansell, 2000)
There are many fans of this score, which was overlooked at the Oscars. I’m not particularly moved by it at all, but must acknowledge that its main theme is often played outside of the film, in trailers for other films, and even at sporting events. I heard it about 12 times at a Maryland-James Madison football game a couple of weeks ago. Buy from Amazon
Gonna Fly Now
Rocky (Bill Conti, 1976)
I’m sure this sounded great in the 70s but today I find this track to be cheesy. However, I can’t deny its recognition and integration into pop culture. Buy from Amazon
Redemption
Rocky II (Bill Conti, 1979)
Conti made another memorable theme for Rocky II, and with songs by Survivor, James Brown and others, the music in most of the Rocky films rocked. Buy from Amazon
Theme from Shaft
Shaft (Isaac Hayes, 1971)
Gotta admit I’m not sure which particular instrumental track stands above the rest for this film, and technically the Theme from Shaft is a song, but we’ll bend the rules here a bit (as we did earlier with “As Time Goes By”) because most of that song is instrumental and still recognized and enjoyed to this day. Hayes won the Oscar for Best Song and was nominated for Best Original Score. Buy from Amazon
Main Title-Rebel Blockade Runner
Star Wars Episode IV: A New Hope (John Williams, 1977)
While the 20th Century Fox theme (Alfred Newman, 1954) is played as a prefix to many Fox films, hearing it for the past 30-plus years triggers our collective anticipation, or even hope, that the Rebel Blockade Runner music is to follow. As for the main Star Wars theme, I believe it will be recognized even hundreds of years from now. Buy from Amazon
Star Wars: The Throne Room-End Title
Star Wars Episode IV: A New Hope (John Williams, 1977)
The beginning of this sounds like a wedding march.
The Imperial March (Darth Vader’s Theme)
Star Wars Episode V: The Empire Strikes Back (John Williams, 1980)
The theme song in the Bush White House. Buy from Amazon
Duel of the Fates
Star Wars: Episode I – The Phantom Menace (John Williams, 1999)
As disappointment set in after longtime fans saw this film, we continued to blare what’s nicknamed ‘Darth Maul’s Theme’ on the speakers. Buy from Amazon
Superman – Prelude And Main Title March
Superman (John Williams, 1978)
Here’s something to ponder. If Williams switched the Star Wars main theme music for the Superman main theme music, would the world be any different? Buy from Amazon
Hymn to the Sea
Titanic (James Horner, 1997)
This is an extraordinarily cheesy soundtrack, with its most memorable sounds anchored by the same riffs of the power-ballad My Heart Will Go On that Horner also wrote. But Titanic is the highest-grossing movie of all time, and Horner ain’t a hack, so I’m presuming that this track, the score’s most downloaded on ITunes (behind Celine Dion’s song, of course) is indeed recognized and enjoyed by many music lovers. If this isn’t the right track, forgive me, I can’t finish listening to it without wanting to puke. Buy from Amazon
An interesting story, from know-it-all Wikipedia:
At first, [director James] Cameron did not want a song sung over the film’s ending credits, but Horner disagreed. Without telling Cameron, he went ahead and wrote the song anyway, and recorded Dion singing it. Cameron changed his mind when Horner presented the song to him. My Heart Will Go On became a worldwide smash hit, going to the top of the music charts around the world. My Heart Will Go On also ended up winning the 1998 Academy Award for Best Original Song as well as the Golden Globe Award for Best Original Song.
Top Gun Anthem
Top Gun (Harold Faltermeyer. 1986)
The entire Top Gun soundtrack was great, particularly “Danger Zone” by Kenny Loggins, but Faltermeyer’s anthem to me is still the theme music that should be played whenever Tom Cruise enters a room. Buy from Amazon
Great Pre-Recorded Instrumental Music in Movies
For those of you who don’t know the difference, the music below was originally composed not with the film in mind, but was eventually used in the film. That’s different than a composer making music specifically for the film, with scene-by-scene guidance for each track, as listed above. Some tracks below were written by others, and then re-orchestrated by the film’s composer, thus disqualifying it from being ‘original.’ There are many more examples, but these particular tracks are certainly used extremely well in a feature film.
2001: A Space Odyssey
Duh… duh… duh… DUH DUH… bum bum bum bum bum, bum bum bum bum bum. Buy from Amazon
Amadeus
Amadeus
You rock, Wolfgang Mozart. Buy from Amazon
Ride of the Valkyries
Apocalypse Now
When I hear this Wagner music I always think of vikings for some reason. Buy from Amazon
Colonel Bogey March
Bridge on the River Kwai
Mission Impossible Main Theme
Mission Impossible
The music in the movie was based on the music in the television series.
The Entertainer
The Sting
O Fortuna
Excalibur
Dueling Banjos
Deliverance
In my opinion, one of the most fun instrumentals in a movie, ever. The song had been composed in 1955 by Arthur Smith, and he sued for royalties, and won, after the film was released.
Love Theme from The Godfather
The Godfather
An observant reader pointed out to me that Nino Rota’s score was removed at the last minute from the list of 1973 Academy Award nominees when it was discovered that he had used the theme in Eduardo De Filippo’s 1958 comedy Fortunella. The melody was the same as the ‘Love Theme from The Godfather,’ and for that reason was deemed ineligible for an Oscar. Despite this, The Godfather Part II won a 1974 Oscar for Best Original Score, although it featured the same love theme that made the 1972 score ineligible. Buy from Amazon
Layla (Derek and the Dominos)
Goodfellas
Martin Scorsese used the instrumental part of the Clapton song to enhance this classic scene.
Immortal Beloved
You also rock, Beethoven.
Adagio for Strings
Platoon, Samuel Barber
Misirlou
Pulp Fiction
No film score was composed for Pulp Fiction, with Quentin Tarantino instead using an eclectic assortment of surf music, rock and roll, soul, and pop songs. Dick Dale’s rendition of “Misirlou” plays during the opening credits.
Star Trek – Main Title
Star Trek: The Motion Picture, Jerry Goldsmith
Another question to ponder. If this music was switched with main theme in Star Wars, would the world be any different?
‘Curb’ Returns!
The last time we saw Larry David on HBO’s “Curb Your Enthusiasm,” we fell out of our seats laughing as we watched an utterly hilarious montage of Larry living with the Black family, disciplining misbehaving kids, talking loudly in a movie theater, tossing popcorn around, Larry being everything that he once despised. Had the series ended there, at least we wouldn’t have been disappointed with a relatively ‘bad’ episode that so many comedy series have delivered upon departure, Seinfeld included.
Here is what’s vastly different about the seventh season of Curb: The expectations. In each of the previous seasons, we didn’t really know what to expect, other than laughter. It was Larry being Larry, and each season ended with an episode that tied things up nicely, whether it was the opening of a restaurant, Richard Lewis getting a kidney, the opening of The Producers, or pitching a new sitcom. But now, we’ve got the Seinfeld ‘reunion,’ and anything short of David delivering classic comedy this season will be a disappointment.
There are good reasons why there should never be a ‘real’ Seinfeld reunion, even after the relatively ‘bad’ final episode where they all went to prison. So, what I’m assuming will be a shot at delivering a Seinfeld reunion episode on Curb (does anyone actually believe it’ll work out nicely by the season’s end?) sounds like the best way to go about giving longtime fans what they want without actually writing a ‘real’ Seinfeld script and showing it on NBC.
Larry, you rarely disappoint, and when you do, you redeem yourself and more deeply etch your name into the comedy wall of fame. But this season, we’ll be watching enthusiastically, wanting to laugh harder than ever.
Entourage : Worst Season So Far
I’ve been on board with Entourage since Season One, Episode One. I’ve seen every episode three or four times and it’s easily one of the best shows on TV. Then it suddenly dawned on me after this past Sunday’s episode that… nothing interesting has happened this season, and it’s wrapping up soon.
Let’s look at the ‘major’ developments of Season Six:
- There have been absolutely no subplots of note with Vince. His life is back on track and he gets laid a lot. Oh, that’s right… he may have a stalker and had to hire security.
- The unbelievable plot of Turtle dating Jamie Lynn-Sigler continues, and now, Turtle is going to school. Turtle was funnier when he was smoking weed and getting rejected by women.
- Every episode revolves around the Eric-Sloan-Ashley love triangle, and at no point do we feel sorry for Eric that he is torn between two hot girls.
- Drama had a funny moment when he was auditioning a love interest, then threatened his boss who he thought was trying to bang Jamie Lynn, but that got wrapped up rather quickly.
- Andrew, Ari’s hire, has the most drama when he cheats on his wife, gets kicked out of the house, acts like an idiot and nearly gets fired. But this character is relatively new, and not at all embraced by long-time Entourage fans, so who really cares?
- Ari’s biggest moment: He steals Zach Efron from Adam Davies. That rivalry was so much better last season with car races, bags of feces and male stripper pranks.
- Where is Shawna? She’s hilarious and barely gets any screen time.
- And then there’s Lloyd. Will he become an agent? Will he leave the Miller-Gold agency and work with Adam Davies? The fate of Lloyd is the cliffhanger of the season? Well, it ain’t over yet, so tune in next week.
Take these notes into account and think about past seasons, when they struggled to make Medellin, when Vince couldn’t get work, when they fired Ari, when Ari started a new agency, when Johnny screwed up in every episode, when Turtle smoked weed and got rejected by girls, when Billy Walsh showed up, when Gary Busey showed up, when Paulie Shore showed up… the list goes on.
Also, I’m fairly certain that, after the death of DJ AM, Entourage is cursed because he’s the fifth on to die after a cameo.
Top 20 Fictional Mobsters
Everyone loves a good mob flick, and over the years, we’ve been treated to many great ones, on both television and at the cinema. Now, it’s one thing to make a movie based on real life events, as we’ve seen in Goodfellas, Donnie Brasco and Casino, but when fiction is involved we often get very memorable characters, some of whom we even look up to despite their criminal nature. So, lets now take a look at the best fictional on-screen gangsters (sorry, no comics).
20. Vincent ‘Vinnie’ Antonelli (My Blue Heaven)
Steve Martin as a gangster? In the Witness Protection Program with Rick Moranis? Sold. And to think that Arnold Schwarzenegger was offered the role but opted to film Kindergarten Cop instead.
19. Tommy Vercetti (Grand Theft Auto: Vice City)
Voiced by Ray Liotta, who is best known for playing Henry Hill in Goodfellas, Vercetti is similar to Tony Montana in Scarface, as is the game. He’ll serve as the lone video game character to make this list, representing the entire GTA franchise.
18. Fat Tony (The Simpsons)
The local mob boss on The Simpsons is voiced by Joe Mantegna and isn’t overused like some of the other characters. It’s always hilarious when Homer and Krusty get in trouble with him.
17. Alphonse “Big Boy’” Caprice (Dick Tracy)
To me, this is the most underrated Al Pacino role, because he wasn’t just standing around doing his ho-ah! thing but instead putting his spin on a comic book character. Big Boy is far more entertaining than Michael Corleone.
16. Paul Vitti (Analyze This)
Come on now, you like this movie and you know it. Bob De Niro as a mob boss who sees a psychiatrist? Brilliantly funny.
15. Jabba the Hutt (Star Wars)
Jabba had it all. A palace, dancing girls with tentacles coming out of their heads, a space monkey, a Rancor, and his enemies in carbonate. I’m sure John Gotti was drooling with envy when he saw that.
14. Antonio “Nino” Schibetta (Oz)
Fans of HBO’s Oz will appreciate this pick. He wasn’t around long (he was offed in Season One after eating a salad tainted with broken glass), but he proved to be the most respected and powerful boss behind bars at Oswald State Correctional Facility. His son, Peter, didn’t fare so well.
13. Frank Booth (Blue Velvet)
Dennis Hopper expertly plays a sick, twisted sadist and the central figure in the underworld of drugs and prostitution in David Lynch’s psychological thriller.
12. Vincenzo “Vincent” Coccotti (True Romance)
In a film known for its ensemble cast, Christopher Walken gets to play the best part, a sadistic mobster kingpin who enjoys intense psychological torture sessions with those who don’t cooperate with him.
11. Brick Top (Snatch)
Alan Ford plays a psychotic gangster in Guy Ritchie’s 2000 film set in the London criminal underworld.
10. Wong Hoi (The Killer) and Uncle Hoi (Hard Boiled)
To represent the Chinese Triads, on this list, we’ll go with a pair of characters from John Woo’s classics, The Killer, and Hard Boiled. Both were powerful figures in their respective films, but ultimately both died.
9. Sonny LoSpecchio (A Bronx Tale)
At first I wasn’t a huge fan of this film because it didn’t seem to add much to the mob movie genre, but the more I watched it the more it grew on me, mainly because of Chazz Palminteri. Watch the scene below. Could you picture this happening with the guys from The Godfather?
8. Don Logan (Sexy Beast)
Ben Kingsley says he based his performance largely on his grandmother, whom he called “A vile and extremely unpleasant woman.” Logan, a violent sociopath, is a recruiter for the London underworld, who puts people together into teams to pull off various heists.
7. Marsellus Wallace (Pulp Fiction)
“Does Marsellus Wallace look like a bitch?” Jules (Samuel L. Jackson) asks some drug dealers in an apartment. And we find out later, he is. Despite that scene, Ving Rhames steals the show as Wallace in Pulp Fiction. This is one boss who isn’t afraid to get dirt under the fingernails. Could you imagine Vito Corleone chasing Bruce Willis into a pawn shop before being held up by rednecks then getting raped? What kind of speech would Vito make after-the-fact? Here’s how Wallace does it:
6. Keyser Söze (The Usual Suspects)
Yeah, it’s Kevin Spacey, who isn’t exactly Robert De Nero or Al Pacino, which is why I was hesitant to even put him on this list. But The Usual Suspects is so well written that ultimately Spacey is the best bad guy on here because of how he gets away with it. See if Jabba the Hutt can pull this off.
5. Tony Montana (Scarface)
I always found Al Pacino in this role to be more comical than serious, particularly with that catch phrase, but the film is serious and it’s carved out a role in pop culture so here he is.
4. Francis “Frank” Costello (The Departed)
The character that Jack Nicholson plays shares the same name as a legendary mobster named Frank Costello, but is actually loosely based on James “Whitey” Bulger, who has been on the FBI’s Top Ten Fugitive list for the last decade or so.
3. Michael Corleone (The Godfather II)
Because The Godfather and The Godfather Part II are arguably two of the best films ever made, the Corleone family bosses rise to the top of this list, though they clearly don’t have the pizazz as some of the other gangsters. In fact, relatively speaking, they’re boring. But their power is supreme. Michael took a kingdom that his father made out of nothing and turned it into a criminal empire.
2. Anthony “Tony” Soprano (The Sopranos)
Tony Soprano has more screen time than anyone else on this list combined, and therefore rises up the ranks. We know more about Tony than anyone. Sure, he’s only the northern Jersey boss of what the N.Y. families call a ‘glorified crew,’ but that actually made the show even better.
1. Vito Corleone (The Godfather)
Vito is perhaps the smartest and most well-respected of the mobsters on this list and therefore gets the top spot.